Sagadahoc Stories 122: 2/4/01
Time Out
When Peggy was diagnosed with a tumor in her chest in December
we put all our other concerns on hold. Now she's recovered from
surgery, and been given a clean bill of health, we're picking
up some of our calls. But our sense of time has been given a shock,
and some of our fixations come unglued.
End of a Season
Sharpie's Last Sail
We've enjoyed a true winter hiatus, thanks both to the healing
and to the weather. A real downeast winter, for a change. After
a lingering sailor's Fall, the river ice made quickly in late
December, only to break up in one last warm spell, rafting up
in the bends. Then the chill set in for New Years and quickly
made 4-6 inches of the good stuff. I managed one long skate, checking
for holes and thin ice, before it snowed. The cold hasn't quit
since, at least not enough to melt the white stuff. The smelt
have been running strong. Skiing has been splendid.
But, having stepped off the tredmill for a breather, this winter
has become all winters. The rush of chronicle has become the stillness
of a poem. Without nostalgia for Autumn or eagerness for Spring.
Simply the now of Winter, with gratitude. Time is as you perceive
it. Linear time is the stuff of causality, evolution, progress,
dialectic, and the modern condition. We'd never achieve and advance
and succeed without the linearity of Judeo-Christian time, or
the big bang. It would hardly be worth getting up in the morning
if we thought we'd have to do it all over again tomorrow.
Last Boats
Last Boat
But the older tradition of circular time has never completely
deserted us. Spring planting. Summer fog. Fall colors. Snow. The
seasonal round has been a renewing undercurrent for us ever since
we left the urbs, and we eventually found connections to the old
cycle in all seasons. Ways to sink ourselves in each. The winter
landscape, so stark and brilliant, is a dream highway if you have
skates, and skis, and snowshoes. A chill place to sweat out the
daily bile, and feel the air press around you. A time to feed
the stove. Make and mend. A waiting.
The seasons can be doors to the timeless. A brush with mortality
quickens your sense of time. How much do I have left? What have
I done with it? How fast it runs! But also: what is timeless,
and how am I a part of that? The stars and the seasons, life and
the human condition, transcend the rushing now. Step outside at
night in January and you can look into infinity.. or get a faceful
of snow.
Ice Maker
World on your back
Wheels within the wheel, and an axle which doesn't move. We stopped
spinning ours this month and now are setting off again, with a
slower turning. I've been reminded that those mediations which
rev me up.. the news, the e-mail debate, the getting and spending..
only make me unsettled, make me rush through my days. Turning
them off was a great relief. Now I'm trying to reengage with the
outer whirl without losing my center.
And I've come back to the heart of the work out in Seven Eagles.
To keep from losing it before the surgeon went in to find out
what was choking Peggy, I conjured up a FROG (in your throat)
DEMON. A handful of black amphibian, clutching his throat, and
sticking out his red tongue. I handed him to Dr. Tryzelaar when
he came out of the operating room to tell me the good news. He
smiled. The frog demon was about the size of the tumor, he said.
It had taken me five hours to make. It took him five hours to
take it out. A nice symmetry.
Frog Demon
The Tryzelaar
While I was carving the black frog, I saw a different cure piece
for Peggy. Another dancer for the Spirit Procession. A Heron Dancer. Masked figure in a heron costume, waving great
wings, striding forward on stilts. Striking at the frog with her
long red bill. A demon-eater. A long-legged bird of renewal. While
Peggy was in hospital, I began to carve it. THE TRYZELAAR. A figure of healing power.
So I'm back on the dance path, with a clearer sense of where it
goes. These symbolic figures are shamanic emblems of the seasonal
round and the natural order. A Smelt Dancer holding up the winter
ice. Turtle Island carrying the hemisphere. A Tryzelaar bringing
the renewal of Spring. Ritual elements in a dance of circular
time. Attempts to portray a local seasonal myth.. something timeless.
Water Mask
Xylogator
Time goes on, of course, especially if you make promises. I delivered
a clutch of talismen for Christmas gifts, and a musical pull-toy
for a child with Down's Syndrome.. a plaything to aid hand-eye
coordination.. the XYLOGATOR. Had to saw up my shop straight-edge
to get a resonant clangor. Replaced it with bar steel from the
TOAD's metallurgy.
And a new president was selected. My high school classmates threw
a big bash in Washington on inaugural eve to celebrate the event.
We all suffered through adolescence with George, and even the
Democrats among us figured nothing could be worse than that. One
of my classmates suggested I make a class gift for the president,
and I jumped at the chance to stick out my tongue. I called the
piece DUMBO GOES TO WASHINGTON, and it features George W. Elephant
riding an enraged bucking jackass, looking a bit Gore-d, with
a perforated butterfly on his nose. Snapshot of an American Moment.
To appease those of my peers who found the name disrespectful,
I changed it to RIDING THE WHIRLWIND after W's reference in his inaugural address. I guess that butterfly
is the one in China.. responsible for twisters in Tennessee. Good
fun.
Dumbo
Dillo
I also found an armadillo in the woodpile, to send as a charm
to the president's personnel director, another high school classmate..
as a gift from a dorm-mate. They callem Texas Speed Bumps down
there, but the message inscribed on the belly of this one is :
Illigitimi Non Truckum. Don't let the bastards run you down. The
ears on DILLO got broken in transit, so I found another one. This
one is Tough as Texas.
So I'm fabricating the American Mythos/American Culture Heroes
again, too. Finding archetypal moments in national time, working
on the series which began with Margaret Mead spitting fire. Ben
Franklin printing "E. Pluribus Unum." Elvis and Marilyn and DUMBO?
Sigh. To give the series a bit more depth I've just read Fagan's
ANCIENT NORTH AMERICA, the classic survey of our native archeology,
and my head is full of mammoth migrations and cultural drift.
On my workbench is the beginning of VIRGIN CONTACT, a Capt. John
Smith and Pocahontas piece. Recapitulating our sabbatical roadtrip
on the web put me back on the road to imagining our national myths,
and the ascension of George II set me back on the sawdust trail.
Praise the lawyers.
Dragon Lady
King of the Blues
I also managed to get down to the crossroads and bring home a
Robert Johnson lawn ornament (actually a signboard painting for
MacBean's), and Bill Robertson put a Christina Claus ornament
in his gallery window, across from the Farnsworth in Rockland,
where the original Christina is in residence. Hopefully the last
word on crawling iconography.
Some things wonder on, while others come to conclusions. The e-mail
journals and illustrations we began on the road carried over into
a cycle of dispatches about, and drawings of, Bowdoinham. But
third time around the seasons I realize I'm repeating myself.
Now I see that chronicling a small town at the Millennium wasn't
just a way of focusing on the local.. sinking into place.. it
was a way of rejoining the seasonal round. Entraining with circular
time. Many of the tales and images were singular events in a changing
manscape, but the best of them were seasonal stories in a timeless
landscape. I think I'm done with the linear reportage of this
village. I've stopped doing the local drawings, at least. I'll
try to fry some different fish on this site.
Christina Klaus
Drawings
The travelers on the American Sabbatical site will set off again for the second half of their journey
this month, however, and I have a backlog of old local tales and
illustrations which have yet to be put together and posted, so
stay tuned. Might's well tie up the loose ends, if there's time.
I posted images from our drawing group's December show last week, and will put more rogues in the gallery shortly.
Feel's good to be back in my ruts, snorting sawdust and howling
at the moon. This week I finished another Spirit Dancer. A wall
piece this time, composed in high relief. To the scale of ANIMA
MUNDI, the greenwoman I made back when (about 2' tall). This time
I imagined a snowstorm at night as a sleepwalking woman, her skirts
full of flakes, hair full of wind. A NIGHT SNOW. Her bare arms
and legs are tiger maple, shivering cold, as she tiptoes across
the air.
Anima Mundi
Night Snow
You have to be careful with this white magic. It started snowing
the night I finished her, and now we're up to our tushes in the
stuff. Peggy has a snow day today, and we're back by the stove
hugging it up. The good stuff goes on forever. Sometimes, when
you take a time out, you can almost stop the clock.