Sagadahoc Stories #105: 9/3/99

Sparks

The pace quickens to a frenzy as Labor Day approaches. The mackerel are schooling, lobster catchers are coming in freighted, web worms are festooning the trees, gardeners are trying to give away tomatoes, and the Summer Complaint grows feverish. When I was a Summer Person at Owls Head this was the saddest week of the year. The thought of going back to school in the burbs was enough to make you cry. Even the dog drooped.

Web Worms


Beginning Side Decks
This year I'm chasing my tail in the dooryard, trying to inch this barge closer to the water. Even visitors get dragooned. Yesterday Susan, my cousin from England, put a second coat of deck paint on the beast. Now it's down to frigging with the rigging. And I've got tunnel vision. There's a time in each creative process when everything else disappears. You are riveted on the one task, and any distraction makes you fume. I've stopped drawing, painting, writing, reading, musing, mowing the lawn.

Not that the final product is envisioned in detail. All the postponed decisions are now knocking. The shape of the leeboards, and where to hang them. The final dimensions of the spars, and how to hoist them. Rudder hinges and a steering hub. I've raided all the hardware stores, marine and otherwise, from Portland to Rockland, for fittings and foofraws. I can report that just in time inventory keeping has captured the marine supply business. Try and get mast hoops in August. Hah. They're back ordered until March.

After Coamings

But I'm marching under orders. Guess I'll lace that sail to the mast and use parrels (wooden beads on the loops). Keep it simple. Use the materials at hand. After juggling all the possibilities, it comes around to the down and dirty. And I've had some just in time advisors help resolve my conundra.

Lee Huston breezed into the boat yard a few weeks back, just when I was despairing about gaff rigs, centers of resistance, and the details of lee boards. Lee has built upwards of 40 traditional wooden boats, and followed rumors of a scow abuilding to Brooklyn Heights. He not only answered all my questions, he returned the next day with a stack of texts all indexed with post-its, covering the topics in detail. He also preached the simple solutions, and cooled my broth.

Then I had a metallic encounter with David McLaughlin. David checked in on me one Sunday morning, and we scratched and sketched over the hardware he could fabricate. Most of my elaborate imaginings were reduced to elegant austerity. Instead of the grand lee board hinges out of Herreshoff, a short length of chain. Instead of a fancy latching tabernacle, two capped sections of well casing with tabs. David couples the designer's gift with a mastery of iron and an enthusiasm that glows red hot. I needed that in the ninth inning slump.

David's design for rudder hinges required four massive bearings, bored and chamfered by a machinist, so I rooted into another layer of the local landscape, looking for a lathe man. We used to brag that more patents had been issued to Mainers than to anyone else, the result of long winters and a large bump of Yankee ingenuity. Scratch a local and your fingernails were full of filings. Now it seems that all the little job shops in this tinkerer's paradise have gone south. Or west. Or somewhere else. So-and-so used to, but he sold his milling machine.

I went to Art Boulay for advice. He does small engine repair and is a trove of mechanical info. Of course he wanted to know what I was cogitating, and maybe it could be done this way, and I could get the steel at T.W.Dick, and when I asked who might do the turning, Art said, "Guess I could." And he collared and fitted a shaft on my steering wheel, too. And filled my head with lore. When you consider the vast accumulation of technical knowledge an artisan stores away in a lifetime, the death of a craftsman seems like a bad joke. The demise of the local job shop marks another passage on the road away from individual understanding and tangible mastery.


Rudder bearings


Ouch
No shortage of that at Liberty Salvage, though. McLaughlin got hooked on steel early and has kept honed ever since. He's the only person to graduate from Yale with a degree in welding and a minor in stagecraft. Did a hitch in the Signal Corps where his speciality was standing up towers, and spudded down at the old cannery in Liberty in 1971. His passions are steel fabrication and moving heavy things.. and beautiful young women. A very romantic guy, who used to cruise the coast in a handmade road warrior vehicle, David 's most recent love wagon was a hot little Miata, until he got distracted by a lady companion, and pranged it. Now he's back to flatbeds and crane trucks.

One Monday morning I scored some steel at T.W.Dick, swung by Whitefield to pick up Torbert, and climbed the country to Liberty. David's been renovating the cannery and adding to his collections for 28 years, and his whole compound is a grand work in progress. David says that one characteristic of pack rats is they constantly reorganize their troves, and he's presently dragging all the iron piles out of the courtyard, into his back lot. Canning tanks and metal wheels. International trucks and assorted ironmongery. And granite, of course. He's framing everything with massive hunks of ledge.

Tanks


Liberty Salvage
And the buildings soar up like Italian street scenes. Whenever David needs more space he cuts a room off at the floorline with a chainsaw, and jacks it up a story. His "studio" building, about the size of your average factory, has just such a breezeway gaping, and David dreams about an artist in residence who would help close in and fill the space with creativity.

The inside of his workshop is all gloom and rust and concrete and racks of tools. The jet roar of acetylene, the rasp of grinders, streams of sparks, the clamor of hammered iron. Jim and I admired David's jigs and fittings while he made bar stock red hot, and bent it round the rudder bearings. Fabricating the hardware for the ark took all day, and I drove Jim home in the noontime, then went back to grinding and drilling and reaming and watching the arcing flash.


Wheels
McLaughlin is an artist with a torch and arc, and he wasn't about to half do it. The bowsprit end, rudder hinges, and tabernacle shaped up to be bold statements of rugged utility, in perfect harmony with the traditional workboat lines of this scow. And David kept up a running commentary on the nature of the work. Teaching me about steel and cutting and welding, and the process. Each step hinged on an aphorism.


Tabernacle up
"When you make a mistake, redo it at half speed."

"Perfect it with a chisel and file."

Tabernacle Down

He shared a craftsman's mutterings, as the day burned away black-handed and sooty-faced. We didn't finish until 9:30 in the PM, and fumbled up his unlit stairs to an exhausted feed of pilot crackers and kippers in hot sauce, with black tea. Might have figured us for a pair of Scotsmen. I rolled home in Ebba, a load of splendid ironwork clanking in the bed. Thinking about the nature of art.

Chains


Hanging
Our painter friends turn themselves inside out onto canvas, then hold it up for the world to see. The work is about the doing, but the world only talks about the showing. The art business and the artist's life are wrenched apart. Small wonder the "fine" arts in America are so alienated. David has done his share of gallery sculpture, but that abstracted universe can't scratch his itch for massive metallurgy. Merely contemplative objects don't carry enough load, but pure utility can ring hollow, too. McLaughlin fuses his esthetic sensibility with practicality, and makes necessary things of profound beauty. His informed esthetic, once commonplace, has melted in a plastic age.

Spending a day with a fellow artisan who isn't too proud to weld a tabernacle, and who cites Giacometti while laying down a bead, refreshes my joy in the work. Isn't it our responsibility to bring beauty into a practical world? To recognize the abstract qualities in every object. To launch scows among the Clorox bottles?

Masks


Oilers
And we are thinking about launching. All the details may not be done by a given deadline, but it grows time to make a splash. My ambition is to have all the fittings on the hull by next weekend, and slide her down the ramp on Sunday the 19th. You are all welcome for the event. Around 2PM.

The matter of naming has amused us, but it was resolved by the beast herself. As soon as I fastened the last foredeck plank, set the vent scoops into it, and stood back, it was obvious. TOAD, indeed. Come join us break a bottle on the Millennium Toad.

Toad!

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