Sagadahoc Stories #99: 7/4/99

Flipped (Over)

Hotter than a firecracker and dead low water. Anyone with any sense is out on the sands dabbling in the water. Even the Shoreys have flown in from Amsterdam to cool it on their houseboat, and the anchorage is a desert of empty moorings. Everyone's gone downriver for the Fabulous Fourth.

Jet Skier


Skegged
We did our celebrating on Friday night. Invited a crowd to lay hands on this vessel, and flip it. Finished the carpentry last week. Through-bolted the spruce skeg to the keelson with hand-threaded 3/8 inch bronze bolts. Trickier than I remember, starting a die on bronze rod, but I managed to get the nuts to spin on, eventually. Seth helped me ratchet the darlings down snug, so they squatted the bedding compound.

Next came the shoes. One by three inch oak, bent on from the forward transom aft. The center shoe running all the way to the bitter end of the skeg, and screwed down. Then two sister shoes in line with the sister keelsons, running from the forward transom to where the lines flatten out. These were screw-fastened from inside the hull, to provide stiffening in the forward curve where there are no sister keelsons. Peggy helped me fasten the sister shoes by standing on them, holding them to the curvature, while I crawled around with a screw gun underneath.

Shoed


Inside a straw house
The day she was shoon was homemaking day in town. Dean and Clay, the young couple up the Carding Machine Road who built a straw house last year, threw a frame-raising party to put up a bigger post-and-beam structure. A old-style barn-raising, with contemporary techniques.

Easy to find the place. The road was lined with youth machines wearing exotic plates and green stickers. Kayaks strapped on the roof. Big dogs tied to the bumper. Down in the woods a full crew was mortising and tenoning with little chainsaws and big slicks. Part of a workshop run by Fox Maple Timber Framing, a local outfit, who'd had a gang on the site all week, learning the game, and prepping the timbers.

Timbers


Mortising
That Saturday morning it looked more like a workshop in counter-culture reminiscence, with all the familiar chaos. Only a few timbers seemed ready, and the squads of helpers were chipping furiously, kids frolicking, dogs chasing tail. Lots of smiles, but it looked like a long day.

When I came back in mid-afternoon the hired boom truck was spudded in beside the block foundation, but the boys were still wrestling with sills. One bunch was mauling a gable end on the ground with a big synthetic orange convincer and an array of come-alongs. The precision joinery was marginally off, and they were beating it apart, doctoring the details, and pounding it together again. A bit more tension in the air, and the boom truck operator getting some very expensive nap time.

Posts up


Raising
As the day declined we came back to gawk. The corner posts were up. The boom had a girt timber swayed up. The pot luck was well gobbled. I'd anticipated lending a hand, but there was an abundance of young muscle being flexed, so I took a few snaps, saluted the industry, and decamped for a housewarming at Angie and Eric's. Another young couple settling into the local life.

This Spring a contractor turned the lumber room up over the Town Landing Place into a modern apartment, and Angie and Eric and Jeanine and Dianne and Allie have been putting the finish touches on it all month. It's quite magical. Under that tin mansard they've opened up a soaring skylit space, filled it with Angie's found furniture, and Eric's artwork, plants galore. A beautiful home, which seems incongruous over the lunch counter, and all the sweeter for it. The regulars at the restaurant were invited to join friends and family to celebrate occupancy.

Town Landing Place


Independance Day
And a changing of the guard. Today was Jeanine's last day behind the counter. After nine and a half years of feeding us, coddling us, listening to our gripes, and laughing with us at the absurdities, Jeanine has turned the golden spatula over to her daughter, Angie, and Eric, her rock. They signed the papers this week, and everyone is a bit shaky. Jeanine has a bad case of separation anxiety. She's been at the center of town so long, not seeing all the faces will seem like isolation. And we'll be confused, too. Angie and Eric now have to juggle all the minutia of a marginal business, AND put up with our nosiness. Guess we'll have to start calling the place "Angie's." Or "EricnAngie's?"

Around 10 PM the boom truck rolled through town, turned up the hill, and gunned it. They'd actually gotten most of the timbers raised and joined before everyone fell down. We came home in the moonlight, and I admired the breaching whale in our dooryard. Pretty grand. But doesn't something seem crooked? Isn't that skeg a bit short? A quick trip to the shop, to look at the lines, and my heart sank. The skegs of these babies DON'T run level with the flat of the bottom at all. They slant down deeper, giving the rudder more bite. I had just assumed they were built so the boat could lie flat on the bottom, if grounded out, not pitched forward. I was wrong.

Hull

Maybe that's the way designs evolve. The more I thought about it, the better I liked the idea of being able to tiptoe through the shoal spots with only her belly dragging, no deeper skeg to dig in. Sharpie has a deep swinging rudder that rises up when it hits bottom, and there were plenty of times I was glad of the extra inches. Why not put a drop in the skow's rudder, to compensate for the lost skeg and rudder surface, and give her more margin of error? I agonized over it for a day, and decided against adding more skeg. Slapped the primer to it. Seth and Peggy helped apply two coats of side and bottom paint. I scooched around underneath in the deep grass where the dog has been sleeping, unscrewed the molds from the strongback, and tossed out all the loose lumber. We were ready for a rollover.


Painted Bottom

 

Folks began arriving around 6:30, and by quarter after we had a quorum. The crew from lunch, some internet companions, Seth's cohort, back from their far-flung lives, old friends, and some of the neighbors. We'd laid on the beer and finger food, and when the party was primed, called for Act One.

With the cameras rolling, we heisted the ark, molds and all, walked it away from the strongback, and set it down. I disassembled the strongback. Mowed where it had been. Realigned the pieces to support the keelson and the chines. Laid a row of tiers between the hull and the support timbers. Called for Act Two.


Flipping Crew

With twenty-odd of us the work was easy. She felt feather light as she rolled over, until the sheer met the tires, then alleyoop to her point of balance, and setting her down easy. A few jiggles and viola.. a boat. No action stills, however. The digital photographer was otherwise occupied. We all joined hands and circled her sunwise, for luck. As it got dark the lads began drumming on the shop deck, and the music throbbed until the beer ran out.


First Passenger
Thanks to Sister Peg and Michael and Sophia and Susy and Hank and Cory and Jo and Ivy and Brent and Dr. Bob and Kim and Mr. Kane and Big Mike and Bruce and Mel and Sarah and Jed and Miles and Greg and Frank and Jim and Jeanine and Dianne and Andrew and Mike and Malachi and Ashley and Carlo and Weld.

Yesterday I pulled the molds out. Blocked, shimmed, and leveled her. Scraped up the excess bedding compound from along the chines, sanded down some of the scarfing epoxy, and coated the interior with a couple gallons of tar mix. The hull is sealed, ready for the next stage.

Unmolded


Raising Crew
And I'm in limbo. Seth has finished the renovation carpentry and painting. Jeanine has turned over the restaurant. The timber frame is up. The boat's flipped. Peggy is fully vacated. And I feel all upside down.

The high hots may have something to do with it. Fireflies have flickered and gone. The mallows have exploded in pink. Curling garlic is bearing seed heads. We're feasting on peas and the beans are in flower. Little green tomatoes. Black-eyed Susan is teasing us, and the raspberries are going ripe. Peggy picked 30 quarts of strawberries for the freezer last week, and their season is about run. A rogue blackberry bush has turned up in one of the flower beds, and we're letting it stay. One of the joys of mulching with compost is all the toothsome surprises that grow up. There's a bumper crop of compost potatoes in the weed pile, and the carrots need thinning again. The late day thunderers have doused us every other evening, but it's still too hot to think.

Black Eyes


Garlic
I'm not good after completions. I used to go on a toot and beat myself up in celebration, but now I just stagger around confused. Creative work must have its cycles of high and low, I know, but that doesn't help much in the troughs. I find it hard to just sit still and let the batteries recharge.

The barge is flipped, and she looks more and more like a "Millennium Toad." Leith suggests that might mean she's a "Milly", or "The Toad." Given my local role, however, it has been suggested she be called "Gadfly." Whatever she goes by, she's now upright, and all the decisions I've postponed come due. Late Friday night Peggy, Jim, and I got in under the covering tarp, and Peggy actually fell asleep in the beast, where we left her. Woke up and began talking about camping out aboard, which puts a whole new spin on the interior layout. I have to rethink all my old thunks. A dream vessel to conjure in.

Bow Shot


Dirigo
It's going to be a full month. The Maine Festival actually came up with funding for two gateway sculptures, due the last week of July. Betsy Evans, who has a photography gallery in Portland, is underwriting them, and I better get hot. I proposed a variation on the theme of the Great Seal of the State of Maine, which we all carry around on our licenses. It has two figures straddling a scene of reclining moose and pine tree: a farmer with scythe and a sailor with anchor. Below it says MAINE and above it says DIRIGO over a five pointed star. All very 19th century. I've promised to do a contemporary version of the figures, calling it "DIRIGO 2000." Now all I have to do is figure out what that means. Who are the Millennial Mainers? Are they on cell phones? Any suggestions? Give me a jingle, and get me off this dime.

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