Sagadahoc Stories #75: 1/18/99 

Twenty-one Turkeys

Then it got serious. Two good snowfalls back to back, with the reefer running. A foot of fresh whiteness on top of glazed crust, and the mailboxes buried in plow banks. The world is all humps and hollows, contours and glitter, when the sun dares. Which wasn't much this week. A parade of disturbances marched along the coast, closing schools, and delighting the ski bums.

It takes a couple weeks to get acclimated to real winter. I was kneeling in the snow trying to break out some stovewood when it finally hit me: put on your winter clothes, idiot. I rummaged out the padded overalls and lined boots. Stuffing yourself into sub-zero country-chic is fraught with nostalgia. Every year the outfit is a bit tighter, and the sensation of being a little kid shoe-horned into last year's play suit is disorienting. But comforting. Dressed up so you could roll in the snow destroys your last adult pretensions. Kneeling in a snowbank feels like playtime. Maybe mother has cocoa on.
A lot of the mothers were home, storm-bound, this week, and the image of cloistered families round the hearth, with only the snowplow rumbling in the road, makes a town real homey. Of course it's a phosphorescent hearth these days, with 100 digital channels. Still, trudging around in fresh snow with the dog, everything silent in the blanketed town, tends to erase history, or at least postpone it. Just a couple of animals out in the weather, right now.
Another side of the deep freeze can creep up on you, though. Winter angst. SAD. Snow blues. And a lot of that stuff piled up this week. When the roads are closed you might get trapped in a room with yourself. I try to get out for an hour or more each day while the sun is high, to escape myself, thrash out the megrims, but it doesn't always work. Just doing your day job is another cure for seasonal affect, of course. Calvinist medicine. Salvation through labor. If you depend on creative enthusiasm to motivate your workday, however, you're sleet out of luck when the lows go through.

I puttered at ongoing projects, but my heart wasn't in it. Even the books I had handy didn't help. A depressing bio of Washington Irving, who suffered from dry spells lasting up to ten years, and ANGELA'S ASHES? Talk about beating your head on the wall. There isn't even any whiskey in the house. Stymied in snowtime.
After the first whiteout it was too deep for skiing, so I plodded around on shoes, muttering complaints, trying to figure out exposure settings on the digi-O that would produce decent snow pictures. Somewhere along the line, as altostratus slid over to gray the day, I crammed my sunglasses into a pocket. When I got home it was dark, I hadn't gotten a single good picture, and the glasses were disappeared. Just perfect.

In the night the snow drifted nicely, and settled, so my shoe trail was mostly eradicated. But I knew where I'd been, more or less, and my Scots was up. Those sunglasses were only two years old, and not quite opaque with scratches. Next morning I clipped on the skis, and kicked off on a retroversion. I skied circles around every spot I'd taken pictures, to no avail. My last attempts had been up on the airfield, and I was sure that would be the place. I remembered digging in my pockets there, changing camera batteries in the blowing powder. But: Nope.

At that point I almost turned off my back trail to follow a fresh ski trace, but a residual stubbornness drove me to complete that old circuit, even though it was so drifted you couldn't tell exactly where I'd been. CC and I paused on the top of Wallentine's hill to let the sweat cool, and admire town hall poking up across the river. Which was when I saw one black ear-piece sticking out of the sheer whiteness, way down the slope ahead of us. YES. Maybe it wasn't so bad a day after all. You lose your vision, only to find it again.

I'd been confronting my own futility. Wondering what on earth I'm doing here. Sketching a town? Creating an electronic chronicle? Trying to carve caricatures of the time, symbols of the place? Imagining the "Spirits of America?" Am I out in the puckerbrush whistling in the wind? What I'm producing is utterly idiosyncratic. I've lost the knack of the hustle. What's the point? Am I just chasing my tail?

LittleFish
Probably. Chasing SOMETHING, certainly. Which got me to thinking about a way to visualize this winter quest. In an inner season we pursue figures across mythic landscapes. I'd like to lay hands on the essential symbols. But my inflated desire to conjure the major deities, to capture something big and important in the work, always hisses off like a pricked balloon. Makes a rude noise, like a jester's bladder. When I try anything SERIOUS, it ends up comic. Are the Indians right? That the local creative deity is a trickster? When you try to grab her, she's a shapeshifter? I began to see another Trickster Hare: a Snowshoe Bunny. In a bigfooted snowsuit. Teasing me. Is that what I'm chasing in the woods?


Hot Bun
She comes out almost two dimensional. Just one foot points into the third dimension, and she looks both ways. A smiling handful. And because it's Steve's birthday I make a pair of smaller hares in hot pursuit. Arlene commissioned an Arc some years back for his January birthday, with the idea that I'd make pairs of animals as occasional gifts, and they'd slowly fill the boat. Slowly, for sure. I haven't been working in that scale, and only a caricature Noah and two dancing deer have gone aboard to date. But the idea of passionate bunnies populating the Arc, at least imaginatively, seemed just right, under a Trickster moon.

So I've been fooled back into the work. Maybe you can't keep a grand vision in sight all the time, just chase glimpses. And when it gets too serious, sneak up on the Trickster. I'm working on a companion piece for the Snowshoe Bunny: Creeping Coyote. He's all 2D, slinking around a curve on a cupped piece of oak. Very Egyptian. A Native American Anubis. That hare sees him coming. The chase is on.

Coyote
And I've been chasing another image this week, which may tell the whole story. Mr. Mann started putting out corn at his feeder this winter, and has tolled in a flock of wild turkeys. First a handful, then a group of 16. On Wednesday Theo counted 21 turkeys in the yard, and now Mr. Mann is going through a bag of corn a week. It's been proposed that turkey lawn ornaments with local phizes might be an apt installation, so I've been creeping up on the birds with my camera, to get the shapes right. But they're dodging me.

We had another big storm come through Thursday and Friday, dumping a load of snow, then crystalline crunchy, then a long drenching rain. It chilled off behind the storm, and Saturday morning I went down to the river with my skates and the camera. Figured I'd skate downriver to Mannland, and sneak up on the feeder from the woods. The river looked great, all glossy, until I set foot on it and the rind of new ice collapsed, leaving me sloshing in ankle-deep soup. So I went home and donned snowshoes. I can go crosslots to Mr. Mann's, too. Only: the ice in the first gully I had to cross swallowed my shoes, and filled my boots with icy slush. Huffed but undaunted, I came home, changed socks, and drove to the turkey picnic.
As soon as I opened the car door, they started to head out from the feeder. Pretty savvy birds. They stretch up their necks when you approach, and move off casually, just as fast as you come on. Like fanciful aspirations, the big birds know how to disappear in the woods. As you tip-toe behind them, you wonder who's the biggest turkey.

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